When my good friend, Med Kimbugwe, asked for my view on
Desire Luzinda’s latest song, I was a bit hesitant to really give it a lot of
attention. I somehow anticipated it would be another average effort. For the
bigger part of the song, she scores pretty well, vocally.
The beat is rather catchy, and without sounding too
up-tempo for unfit souls to dance to. That is a plus on the production. This
somehow makes it an all-weather (or is it all occasion?) song. The strong bass
lines are reminiscent of the original Kwaito beats. The
kind used, say, in Brenda Fassie's Vuli Ndlela, with
a slight tweak.
The Cons
What are those words she mumbles in the last part of the
song's supposed chorus? They somewhat get swallowed by a combination of the
beats and a mixture of her vocals. It would take a great deal of keenness for
someone listening to it for the first time to grasp what she is talking about.
Music is something one is supposed to relax to, and not
something one has to strain to hear the words, unless their primary interest,
of course, is in the beats and the visual entertainment. This is unless one is
doing world music where the lyrics may not matter much.
What happens when she is performing it live? She might want the audience to
sing along when she gets to this part. It's a vital break of sorts where an
artiste gets to catch a breath during live performance. What words will the
audience sing?
If she is to perform it to a live band, one of two things might have to be done
- either the bass is reduced (very possible), or the band raises vocals so the
actual words can be heard.
On the whole, it's an apt follow-up on Ekitone, whose
audio – to be fair to her – was actually released a couple of months before her
nudes were leaked, contrary to popular belief that it was meant to keep her
afloat in the industry.
Written by Pastor Wilson Bugembe, the lyrics seem to
have been well thought through; much better than Ekitone, in my
opinion. 7/10.
Dan A.
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